ADELINA ANTHONY.COM
Join Our Monthly Mailing List
Email:
We will never share your email with other parties.
revisedflyer
AEA

Guarantee your seat by advance purchase through  www.brownpapertickets.com/event/116203 (6.16.10)
 
Purchasing tickets at the door - we ONLY accept cash and check.
 
Group Rates Available.
For further details or questions about group rates: 
info@breathoffire.org / Tel. 714-600-0129
 
Cherríe Moraga is recipient of the NFA/JPMorgan Chase Master Artist Grant, which is funded by the NALAC Fund for the Arts and JPMorgan Chase Foundation with support from the Ford Foundation and Southwest Airlines.  Other NFA funders include: MetLife Foundation, Nescafe Clasico, Heineken USA and The City of San Antonio Cultural Collaborative.
 

*Appears courtesy of Actors' Equity Association

**Brown Paper Tickets is subject to a processing fee.

ABOUT THE PLAY:
“Digging Up the Dirt*” takes place, as Moraga writes, “Inside The Poet’s head, somewhere in the fragmented Chicano nation of Aztlán.”  Here, as in most Moraga plays, the playwright uses the imagined landscape of the Southwest to poignantly explore those censored questions that continue to impact Chicana lives.  And, as in most Moraga plays, such depictions give all of us pause –regardless of race or gender or sexuality.   This is especially the case in “Digging Up the Dirt” where the plot thematically interweaves two murder stories.  One is the tale of “Sirena Cantante’s” murderer, “Zanzibar,” serving a life sentence, while engaging in lesbian romances and being mercilessly visited by the probing “Poet.”   The second is an intimate account of the murder of  “Amada,” a Chicana lesbian killed by the hand of her own son.  Through the telling of both stories, alternately satirical and tragic, audience members are held accountable for their own “crimes of passion” and the play becomes a kind of moving mirror to all our unacknowledged “murderous” deeds of the heart.

nalacfordmorgansouthwest

NEXT in 2010: LA HOCICONA SERIES: An original
X-X-Xicana Comedic Triptych... see calendar!
 

*

**Brown Paper Tickets is subject to a processing fee.

ADELINA ANTHONY is a self-identified Xicana-Indígena lesbian multi-disciplinary artista.  The themes in her works address colonization, feminism, trauma, memory, gender, race/ ethnicity, sexuality, in/migration, health, land/environment, and issues generally affecting the lesbian/gay/bisexual/transgender/two-spirited communities. She believes access to a progressive education, transgressive art, therapy and other healing methods empowers both individuals and communities to make healthy and transformative life choices.  The key, claro, is sticking to those choices... maybe that's why we need arte in our lives.

As for her art making, she deftly utilizes critical comedy or dramatic force to impact her many audiences.  Adelina has over 17 years of stage experience and has garnered Best-Actress nominations in comedy and drama. This prolific artist has been recognized by her communities and critics as one of the leading solo performers of her generation.  In 2009, Adelina was featured in the Lesbian News, Frontiers IN LA Magazine, Adelante Magazine, Colorlines Magazine, and Bitch Magazine.  In Feb. 2010 Adelina was featured in Texas Monthly Magazine in an article by Megan Giller.

To stay posted with her appearances and performances, please feel free to sign up for the monthly newsletter!

READ MORE
                   

 
©2007 ADELINA ANTHONY